machinejazz brings you the dystopian sci-fi duo seer.
seer is the alter ego and collaboration of m. parent and maroje t.
seer is broken beat 808 meets hip hop break, where gnarled, trippy vocal samples swell over dissonant synth notes.
seer is time-space-mind becoming irrelevant.
after their incredible debut release on detour the duo keeps breaking the rules, bringing heat to the dance floor and letting the world burn.

artificial dance is a new record label from amsterdam. this is the imprint’s debut release. it is the first ever release from young dutch dj/producer job sifre, previously best known for his fortnightly antikunst show on esteemed amsterdam institution red light radio.
worries offers an extended glimpse at sifre’s unique musical vision. it is one that draws heavily on vintage electronic music for inspiration, but also feels fresh and futurist in tone. in turns dark, industrial, hypnotic and mind-altering, the six-track ep bristles with impactful moments of magic.

deep house doesn t get deeper than deep explorer, dubbyman s evergreen label transmitting out of spain. on this latest 12inch, allstarr motomusic makes a welcome return after the first volume of beauty & simplicty back in 2015. this time they re working in collaboration with vocalist sarignia bonfa and the results are stunning. burning (in my soul) is a gorgeous, dubbed out slice of deep house with a true midwest flavour, while el sonido deepex takes things into even more sultry territory. there s also space for downtempo reflection on space of life, but also watch out for the deadly remix of the whole hood in my house- by cvo.

the 2nd release on dischi autunno is the 1st album of the magic ray, new project of established artist fred bigo aka electronicat. the album is produced by cosmo vitelli.

french producer okain has long been entrenched in the minimal house movement, from time spent on four:twenty and tsuba through to memoria, no fit state and now shoring up on dogmatik. babylon is a sharply focused workout with playful organ trills darting in and out of the mix, while radio therapy gets into a light-headed, bubbly state of mind thanks to some shimmering synth work. permeable drops a little dubby magic on the track and r4r5r6 finishes the ep off with a more muscular groover for when you need to keep the energy up on the dancefloor.

deep house excursions for the eclectic mind. includes a beautiful remix by uk prodigy forest drive west supported by françois x, simo cell, peverelist, riverette, dos attack, sandro, san soda, al kassian

following on from our previous gladys knights & the pips 12inch ( love is always on my mind / bourgie bourgie cat no: disco115) it gives us great pleasure to re-issue her most sought-after and in-demand 12inch the walter gibbons remix of it s a better than good time backed with the full version of saved by the grace of your love. this is a legendary and super-rare 12inch which was only ever issued in canada and has become something of a holy grail for serious dance music collectors over the years. a decent condition copy will currently set you back £300+ and that s only if you re lucky enough to find one! it s a gibbons master-class like you know he can. fully remastered on limited edition 180 gram heavyweight vinyl.

sonic groove’s latest high octane addition to the roster is berlin based british artist rebekah. rebekah has led a successful artist and dj career in the techno scene over the past five years with releases on the prolific clr and soma imprints as well as her own labels elements and decoy. her soma album from a few months ago entitled “fear paralysis” shows her artistic skills of having a wide range of flexibility as she weaved through many styles of techno from deep to hard.
taking her artistry into further realms of sound construction, rebekah ventures into a much harder industrial techno terrain with her latest four cut release entitled “into the black”. designed specifically with sonic groove in mind. “loose mechanics” & “conquest” are ferocious industrialized peak time techno pulverizers that will turn stone into dust.
“into the black” is an advant garde broken beat track with a pitch shifting, hauntingly dissonant string drone would be the perfect score for a sci-fi horror flick while “war cry” turns the blackness into a lighter shade of grey with it’s complexly designed chord driven emotions layered over a very intricately programmed drum rhythm.
classify this ep under “all killer, no filler”

we are pleased to welcome back two old friends: dmitry distant and igors vorobjovs! remember the amazing track these pros teamed up on for in the dark again 05? now they’ve come up with a whole ep, featuring 2 tracks od dmitry and 3 of igor. you’ll find igors delivers some intergalactic electro, and dmitry lets the melancholy of a gloomy wave sound rise.

full force releases ff26 and ff28 combined in one pack for a nice price.

codex empire debuts on snts’ label sacred court.

berlin based mannequin records pushes out some proper industrial/ebm bangers. raised in pescara on the adriatic coast and ow based in frankfurt am main antonio barbetta is debuting on death of the machines as raw ambassador. the heavy four track ep is created to burn every dancefloor with full industrial vibes and a lot of ebm influences, giving us a small insight into his violent and rough sound. antonio is also running the smashing tape record label, with releases from violet poison, innsyter, dj loser and delivery. tip!!!

new 030303 release. john heckle s first one for 030303 starts off deliciously with translate- being a moody and melodic and bouncer that caters to a twisted dance floor. terix, the opener on the b-side is a beautiful reminder of derrick mays detroit, rhythm is rhythms kao-tic harmony in particular. the end of this record then, is like the end of most nights: with lots of melodies going on and a stomping rhythm hear me is by far the most mind bending track of this excellent 12inch.

after a brief hiatus, the disdat crew is back in action & ready to unveil their third release. dorian paic & federico molinari hit the ground running with “hamal,” a stomper aimed straight at the dancefloor. martinez’s “occurrence” is a psychotropic experience, with distorted whispers and glitches riding over a dark, weighty groove. on the flip, lee burton explores the ethers with “ndn”, a mind-bending work with traces of detroit nostalgia and a drexciyan influence. rounding out the ep is a reissue of the classic “you’re just a body (you’re just a freak)” by scott edwards, first released in 1998 under the name “phlash.” it sounds as fresh as it did almost 20 years, a euphoric and high-energy track guaranteed to move the dance floor.

4 melodic killer techno gems. 200 copies limited edition purple ink hand stamped white label 12inch. 200 copies, no repress. purple ink hand stamped white label 12inch. the second ep on the new Æx imprint includes 4 tracks from mistress alumnus daniel jacques, production duos d&s and farah, and the dutch talented denote.main focus for Æx is to create a place for exploration and experimentation in the genre of analogue classic sounding techno music

clash lion is a mix of three personalities, shall ocin, terr and daniel watts. three artists with different musical backgrounds merging forces to create a truly eclectic and open minded label. with an approach to release unique electronic music covering a multitude of genres from techno to retro electronica, their passion for innovative and experimental productions shows no boundaries. the labels debut release comes from maetrik, tantalizing us with an outstanding release. deep and dark warping modulation, twisting upon a bellowing low end is accompanied by searing experimental riffs slithering throughout cortex 11 - b ninex 7 û c has a low end drone of power, which builds slowing alongside a relentless hat before releasing into a mind bending synth pattern of pans and fluctuations. synth depth reigns supreme as the weighty beat kicks into gear, completing a truly mesmerizing maetrik 2 track production.

this time is ricardo rodrigues aka industrialyzer who lands on the court of damon wild with three tracks perfectly aliened with the label s philosophy, synewave has been at the service of real techno for over 20 years. it all begins with analogue planet a 130 bpm journey which rouses the dance floor whilst stimulating the mind, giving both of them no mercy. the second track, -multiple walls-, carries the flavour of an old school small march with a hammondesque synth which revolves around the groove from beginning to end. the atmosphere becomes dark and acid in the third and final track on this release. orbit x is an emotional roller coaster which develops in different phases, everyone of which takes the listener by surprise. with this release industrialyzer reminds us that, after all, new york, detroit, chicago, berlin, amsterdam or lisbon dont really matter, quality techno is a global affair and synewave consistently confirms this with releases above all schemes, movements and trends. monumental.

this 4-track ep combines ambient and techno elements to create immersive landscapes, which later on transform into the techno grooves. the concept of this release, “unknown frequency”, defines the limited nature of human perception, which is unable to experience the full universe of the sound.
on the a-side lies the main concept track as well as its landscape/ambient version. both works express the positive tension and harmonious excitement of the discoveries to come. on the b-side, first track - “traces” continues the search of the unknown. this time, darker regions of mind are explored by the sinister grooves and minimalistic atmospheres. final track “looking for the exit” is supposed to give an answer and release the tension of the ep, but after experiencing the unknown, nothing is the same anymore.

artist: blasted title: -aelien ii- format: 12- label: aelien catalogue number: aev02 country: it genre: techno, industrial exclusive: yes price: 5.80€ asteroid records catalogue keeps expanding exponentially. label chief blasted brings you more of his purely analogue creations. italian producer continues series of eps titled aelien, and aelien ii is presented thusly – two new originals by blasted backed by two reworks from monolith records owner sirio gry j and paul birken – a one-man techno army from minneapolis. ethereal bassline will kick off the opener reborn, but the serenity of intro will be quickly interrupted by heavy-duty drum kicks, synthetic fields and high-reaching, chirping drops of reverberated acid. in his vision of reborn, sirio gry j leaves no window open for light – it s a grim, completely disarming ode to warehouse-held midnight sessions, intended to instantly penetrate the mind s defense system with oppressive kicks supported by tightly compressed low bass. next up is arkham – its resonant, uncanny bassline will give you the thrills while acid-soaked, syncopated kicks will keep providing the energy required for some boundaryless dancefloor frenzy. lastly, paul birken elevates arkham to a faster pace, straightening out the kicks, and making them more bouncy, while reshaping the bassline into a less sinister, more lively undertone

alter is the new album from belgium-based double bass player and electronic producer otto lindholm. divided into four colour-inspired, long-form movements, alter takes off from lindholms previous work a self-titled album released in 2015 on icarus records, and pushes the already abundant palette of sounds even further. this new work is more brooding and hypnotic. a deep, resonating bass is present - hinting at the likes of greek, chamber-doom merchants mohammad but perhaps with more attention placed upon textures and melody. the record moves at a funereal pace and opener fauve hits abyssal depths from the outset. a bowed melody is coaxed through the throbbing bass with dissonant harmonics drawing you in and holding you close. the ghostly beginnings of alyscamps create an overwhelmingly tense atmosphere where acoustic and electronic elements collide and evolve into a heaving, ceremonious drone. shafts of light emerge through the fog but the tone remains a haunted one. closer, heliotrope, strikes a more hopeful note. a lighter, more open feel emerges - bringing to mind early work of the rachels or perhaps deaf center.

on his new album, i have what i gave, italian musician bottin outdoes himself. he crafts propulsive, disco-laden scores for films not yet made, and introspective, mind-expanding cuts designed to ensure that people who want to dance never get caught up in conventional experiences. each moment with bottin is a memorable one.

london-based artist silverlining continues his vinyl series with a reissue of one of his most sought-after tracks, breezin thru. first released in 1998, the track is now almost 20 years old and has stood the test of time with second-hand prices soaring to l70 and over, and current supporters including apollonia and secretsundaze. the flip features a remix of andy blake and dave cokers doodlebug project, with tinges of 80s electro, west coast breaks and old school deep house, all fused together for big systems.

auf dem debüt-album “raised under grey skies” von jp cooper versammeln sich 13 songs aus unterschiedlichsten musikrichtungen. es verschmelzen elemente von hip hop, stand-up-soul und country-inspirierten gitarrensounds. in seinem ersten vorboten “september song” verpackt der künstler all diese genre zu einem aufregenden track. jp produziert tiefgehende und ergreifende musik und schreibt aus seinem leben: “es gibt kein image, das ich pflege, ich lebe einfach mein leben und schreibe darüber. es ist eine erfahrung. ich bin nicht unnahbar. ich glaube, dass mir die leute durch meine art vertrauen, ich habe keine fassade. ich glaube, dass das die menschen interessiert und sie neugierig macht. und hoffentlich gefällt ihnen, was sie bei mir finden und hören. ich weiss, dass die zukunft und der erfolg ungewiss sind, und ich mache mein ding nunmehr schon seit ein paar jahren, aber irgendwie fühlt es sich gerade für mich so an, als wäre dies jetzt erst der anfang. und das ist sehr aufregend.”

volume.3 of the black traxx series with finest disco house tunes

the new album from lana del rey as heavyweight double vinyl in gatefold sleeve.

für das wiener künstlerkollektiv sofa surfers steht seit seiner gründung 1997 die musikalische weiterentwicklung im mittelpunkt seines schaffens. seit ihrem debut -transit- bis zu ihrem neuesten album 20 loten die sofa surfers permanent die möglichkeiten von technologie einerseits und kollektivem spiel andererseits aus. 20 jahre bandgeschichte - das ist schon ein grund zum feiern. aber die sofa surfers haben zu ihrem jubiläum auch noch anderes vor: statt einem simplen -best of- hat man sich nämlich etwas ganz besonderes ausgedacht. neben neuen versionen einiger klassiker sind es vor allem die ganz neuen songs, die eine bislang ungeahnte fahrtrichtung vorgeben. dass sich die sofa surfers dabei dennoch stilistisch treu bleiben, ist ehrensache.

the sound of studio one can be identified by the great singers that it cultivated along the many great songs that these singers released. but as studio 1 s dominance was slowly pulled away by the up and coming new breed of producers many of the artists would inevitably end up working for these new camps and so the songs and singers found a new audience. the reggae sound of the studio 1 would make a great combination and the man to pull this was together bunny lee.

repress !!! grant inaugurates his brand new label with a solo ep of sample heavy and hands in the air deep house. further releases will feature bootleg jams, edits and original compositions. vinyl only and so very essential.

this is volume 1 out of 2 of hip hop gone wrong from john daly s west 2 west project. following up last years well received the smoke clears, john daly returns to the label under another alias west 2 west which was debuted on jheri tracks vol 1. equally as atmospheric as the ethereal smoke clears, this project is the result of his ongoing hip hop obsession. mpc workouts inspired by current listening, the result isnt quite hip hop, but sits nicely in the all city beat discography. there s an after hours headphone feel to the set spanning twenty four tracks split evenly over two 12 inches volume 1

unknown mobile has quietly carved out a place for himself in the ever-evolving vancouver beat camp among contemporaries like mood hut, 1080p and project pablo. last years no motion 12 on a/s/l singles club was levi bruces dreamy introduction to most, and 2017 finds him stretching out a bit to further expand his palate of rhythms and textures across the five track mixed use ep for young adults. four sided pebble is a breezy bouncer woven with tickled keys, raw bass and a seamlessly organic live feel throughout. shoreline dub pulses in stuttered syncopation, but keeps its sights set on the dusk dusted horizon with delayed rhodes chords and ocean swells. country side is a total mind-melt, a pastoral graze through mazes of circuit board crop circles. the juggler churns a buttery 4/4 beat in an echo chamber, while proteus 216 dims the lights on its way out to an interstellar communications convention.

limited editiom of 500 copies on black vinyl.

bleu nuit (bn) is glad to introduce you to its first release a night on planet earth (bn01) by barcelona-based italian artist flavio folco. known for his musical compositions on his late imprint fresh food (napoli), among others, flavio folco has also made a name for himself as a dj with multiple appearances alongside his friend joseph capriati. whereas a night on planet earth could have seen the light of the day in 2015, when lumièreslanuit (lln) got the demo through a friend, it s finally two years later that the four-tracks ep is finding his place on bleu nuit, and not just any as it is kicking this new project off and paving the way for other break & gangster beats.

nyc’s disco powerhouse west end records should need no intro. the home of too-numerous-to-list club classics for over 30+ years is still impacting today on what we know to be club culture. the label started by one mel cheren (rip) with assistance from larry levan and more way back in 1976 is still held in such high regard today with it’s catalogue constantly being played, rediscovered, reinterpreted and loved by waves and waves of new fans and admirers.
the west end story vol. 4 is an essential overview of this most iconic of labels and some of it’s more under the radar output, following on it’s from it’s predecessor the quality bar is obviously set extremely high, one only has to look over the tracklist to see the names and titles that are included! rare and overlooked cuts from sparque, debbie trusty, barbara mason, ednah holt and more make up 4 joyous sides of essential forward looking post disco classics - we’re talking late 70’s, early 80’s, synths, mega overdubs, left-field arrangements and anything and everything in-between.
a truly golden era of dance music history, names like tom moulton, tom savarese and more make up some of the talent featured on this flawless selection of goodies. oh, and for the record (no pun intended) these are all the extended mixes, 12” versions and special cuts, all killer - no filler! all tracks featured re-mastered, re-pressed and re-released with the permission of and in conjunction with west end records, new york city / bmg.

katy perry is back. nach ihrem letzten album »prism«, mit dem sie vor gut vier jahren die spitze der charts erreichte, und einer anschließenden welttournee kommt jetzt album nummer fünf.

originally released in 1991 as a limited run of 100 self distributed cassette tapes. the 5 tracks touch upon ambient, dub, house and balearic styles and show an ambition to create timeless music in the vein of william orbit, ultramarine and the orb. 25 years later these songs finally reach a wider audience....on cassette, again....for now.

zona del silencio or the zone of silence is an area deep in the mexican desert. it is the home of several rare, mutant species of animals (including the purple cactus and a malformed version of the desert tortoise). the area’s name derives from an odd anomaly that prohibits radio waves from transmitting inside the zone. when asked about the strange phenomena, the locals invariably reply that they do not see strange things in the desert, only strange people. play this record three times and the idwt gang will appear in your mirror and smoke you out.

being selfish, is one of the good things about running your own label. if you please, you can just try and re-release that certain record that you always wanted for yourself, but never could get your hand on it. now, you can just edit it the way you always wanted it to be (oh, those fade-outsà) and press it up. this is one of these occasions. when kalk (the collaborative project of philippe heinen and joffrey becker) was released on julien briffaz label brif in 1999, i just had started to dj out at a club in darmstadt (the late cafÚ kesselhaus) and the restrained, yet punchy house tracks symbolized what i liked about deep house back then: a mellow alternative to the bpm hunt and rigid attitude in mainstream techno, while not losing itself in chin-stroking wisdom or pesky noodling. it seemed that there werent too many around with the same desire. otherwise akasha wouldnt have remained a diamond in disguise and not what morgan geist so aptly named an unclassic. by his definition, that is: an old by and large forgotten record that would have deserved to be hit. if you take discogs as an indicator, more and more people start to think so though. here is your second chance to obtain a copy of the spirit of kalk. mildly edited and restored in the best human-possible way. mind you, its old house music from days of yore. dj gj

albuquerques finest outpost for purist garage house, plastik people, continues to mine the classics on the seventh volume of its collections sub label. first up is the unmistakable class of zed bias with take you there, a track which represents the garage legend getting into a more housed up frame of mind. then it s over to f.a.z.e 1 to keep the pressure up with the heated diva choppage of -wanna touch me before judas play a little something takes things deeper but no less bumping. this is an essential package for anyone craving some under the radar gems from the history of 90s garage house.

late august will see b.soul music limited release the various artists package thanks 4 nothin , a four-track vinyl only release from the tuscan imprint. marcos baiano s b.soul imprint was launched in 2013 and across its back catalogue has welcomed an array of classic and contemporary talents onto its roster from house legend jovonn through to music for freaks co-founder justin harris and parisian producer terence :terry. here we see the label push on with its second vinyl release set to be released via its ltd offshoot and offered up as a various artist four track package. bosconi soundsystem artist rufus takes the lead on the release with realize dis with classic house tropes, employing a bumpy swinging rhythm as the foundation whilst murky pad swells and spoken word vocals ebb and flow throughout the composition. label-head marcos baiano follows with nullll , stripping things back to shuffled hats and wandering rave stabs before the latter stages introduce a warm ethereal pad. opening up the flip side is retro activity aka ivan iacobucci s rocket edging things into techno territory with weighty drums, mind bending synth flutters and an ever-unfolding, billowing atmosphere. drmc s do not disturb then closes the package on a minimal tip with modulating percussion, minute organic drum shots and airy pad lines laid out over its seven and a half minutes.

vase presents himself with a massive debut of the potrait of his mind, and the way he thinks. three cuts, and an amazing painting from mr. mike parker are giving to this ep a very big impact. the simple act of paying attention can take you a long way.

emotional rescue and malka tuti recognise their shared passion for globe-trotting sounds and team up to present this album from c cat trance, a project from john rees lewis who was formerly of post punkers medium medium. it s no surprise to learn that this was a project of the 1980s, as all the hallmarks are there. with the same outernational attitude that made the work of eno, hassell, czukay, wobble and scores more so alluring, this collection shines a light on a true gem of the era and provides a fresh pressing of some stone cold leftfield party groovers like shake the mind.

2diy4 (to die for), das sublabel von diynamic music, geht neue wege. mit dem neuen release beginnt 2diy4 ein neues kapitel, in dem es sich vom klassischen 4/4 house-schema wegbewegt und stattdessen in die gefilde von indie-downtempo-electronica wagt. mit hohem künstlerischen anspruch versehen, zeichnet 2diy4 ein ganzheitliches bild von sich auf auditiver und visueller ebene. der rote faden, der sich dabei durch alle releases zieht, ist die zentrale frage what would you die for?, welche auf kreativem wege von den künstlern beantwortet wird. die ersten künstler der neuen label-identität sind die zwillingsbrüder emre und mert aus istanbul. ihre antwort lautet: we would die for each other, so the first thing comes to mind is twinhood. zusammen mit october’s child aus l.a. on vocals liefern sie die erste von vielen chilligen electronica-eps für 2diy4.

comes with download code.

marc almond veröffentlicht mit »shadows and reflections« sein neues album bei bmg. es enthält coverversionen bekannter pop- und liebeslieder der 1960er jahre in neuem, orchestralem gewand sowie zwei neue stücke.
die vinyl-lp erscheint im klappcover, downloadcode inklusive.

healing force project drops tripped out, spacey jazz explorations for the body and mind onto on board music. spiritual ambient techno freaks this ones for you.
opening the ep, “a matter of time” sets the things up with a phlegmatic tempo centered around a feverish acid line. a soft mist of organic snares, dub percussions and jazz hi-hats slip over a spacious spread of synthesizers.

almost a year has passed since the ghost of serena butler made its appearance on the realms of eerie - techno oddball marco shuttle’s label. now s/he and other beings gave birth to a new continuum, bene tleilax, where serena’s second ep, “from the cloud to our bodies”, has been conceived.
dub visions and found sound sculptures float over a maelstrom of skeletal techno remains, together with delicate melodies and vocal swarms from a realm where nothing is so sacred that it cannot be reengineered and transformed. this is a release which seizes alienation as impetus to generate new worlds while remaining still counter-trend to certain dark souls in modern electronic music. another biomechanical effort which sounds like the perfect nexus of fluid hopes and unparalleled roles.

after a year long break pepe bradock is back on the regular atavisme catalogue number order. and back to straight up long and burning 4 2 the floor house - at its deepest. #12@last! be (a) ware of ata 017 // #12@last ! the new orna-mental atavisme explores the rebirth of pÚpÚ bradock. after the dirty baby incident and the numerous & consuming time traveling trips to villa-beonis, deciphering the precious lines of medieval sequencing - they canÆt be read with numbers, trÚsors & tsundoku are a sudden return to approximative and abstract dancing containers, with or without filters, but often on the edge of the nerve-wracking pepexit for obvious reasons. it is an evocation of a spiritual ballroom haunted with unmatched awkwardness and a healthy dose of invisible whirling mascarons. would you kiss an ox for the sake of peace of mind ? well, you should

sgol recordings are beyond excited to welcome danvers into our fold, with his debut release omiyage. omiyage translates as ‘gift’ or ‘souvenir’ in japanese, which is exactly how this ep came to life. danvers was gifted all the hardware that was used to create the six tracks on this record, six tracks that have been packaged and gifted to us. the ep takes the listener on a trip inside a musical mind that has the ability to take memories and weave them into a rich, sonic tapestry. it perfectly showcases danvers’ effortless skills in sensitive production and sampling, layering shimmering synths with glistening high-hats and building them into swirling dance-floor rhythms. each track forms a part of a figurative journey taking the wide-eyed listener on a symphonious tour leaving them with an overwhelming feeling of wonderment, whilst lulling them into wistful respite.